Saturday September 4th 2010

Musical Cues in Film Aren’t Necessary

By Daniel Dessinger

June 28, 2008

Cache, starring Juliette BinocheMusic is a very important and evident aspect of film.

Musical cues in films help the audience to feel a certain way, whether it is happy or sad with sappy violins or pianos, alerts of upcoming danger with sharp and eerie notes, or signals the end of a film by playing upbeat Top 40 songs.

I just finished watching Jurassic Park, and the musical cues in this film are very evident. The main theme for the film plays throughout the film and becomes very familiar and very comforting. The composer for the film created wonderful scores; most that made me feel for the characters, but more importantly, the dinosaurs. The music within the film is definitely one of a kind and still to this day, is easily recognized, much among the ranks of the music from Jaws.

However, here is a question for everyone reading, have you ever seen a film that had absolutely no soundtrack or musical cues?

I had never really thought about musical cues before because I had become so accustomed to them, and they literally just melted into and became part of the films I watched.

Two years ago, I watched the film, Caché (Hidden) staring Juliette Binoche, a story about a family who receives strange videotapes of someone filming the outside of their house, and later, receive clues to the husband’s mysterious past and childhood.

To be quite honest, the film was so intense, and I was so engrossed with the plot and the characters, that I didn’t even notice that there was no soundtrack or any musical cues. Not a single note, even for the opening or closing credits.

When I watched the film again, I took note of the missing music, and it became much more eerie and haunting. It was far more terrifying than a film that includes music to tell its viewers how to think or react.

Soundtracks and musical cues have become a staple in blockbuster films; there is no doubt about that. Trusty and reliable pop culture songs and artists litter the film almost to the point of distraction, and after watching Caché, there is definitely something that about the lack of music that adds so much more to a film. I can honestly say that I have never been so attentive, and terrified at the same time while watching any film, horror movie, thriller or other wise.

For all those reading, I would highly recommend renting Caché. It is a great film with some great twists and is composed of an extremely mysterious plot. And to think that all of this is heightened with the absence of music.

© 2008 – 2010, Daniel Dessinger. All rights reserved.

Similar Posts:

View Comments for “Musical Cues in Film Aren’t Necessary”

  • Scott says:

    You make a good point. Musical cues are usually unnecessary but often help things along, especially in terms of setting the mood. (Imagine what The Shining would be like if it had whimsical, farcical music!) I feel even more strongly about voiceovers and narration—film is a visual medium, so if you have to tell the audience something instead of showing them, chances are there’s something wrong with your story.

    If you watch No Country For Old Men, you’ll find that there is very little music. And that helps build its atmosphere of suspense and dread.

  • Ashleigh says:

    I’ll definitely have to check out Cache’.


Leave a Comment

More from category

Movie Review — Shutter Island (2010), a Psychological Thriller Masterpiece
Movie Review — Shutter Island (2010), a Psychological Thriller Masterpiece

By Gary Karbon July 6, 2010 A masterpiece by Martin Scorsese on the level of Taxi Driver and Goodfellas. The year is [Read More]

Movie Review — Intermission (2003), a “romantic thriller” that parodies itself
Movie Review — Intermission (2003), a “romantic thriller” that parodies itself

By Gary Karbon June 29, 2010 Intermission, director John Crowley’s first film, is supposed to be a film about “life [Read More]

“The Girl With the Dragon Tattoo”: a Postmodern Coming of Age
“The Girl With the Dragon Tattoo”: a Postmodern Coming of Age

By Ersin Akinci June 23, 2010 It’s common enough now to see so many postmodern motifs in the post-WWII European [Read More]

McKee and Story as a “Material Force”
McKee and Story as a “Material Force”

That’s when you realize the kind of “material force” story is and has become, more than ever. It’s the [Read More]

I Could Care Less about the New Twilight Movie: New Moon
I Could Care Less about the New Twilight Movie: New Moon

By Daniel Dessinger November 25, 2009 I’ve been reading a lot of chatter on Twitter over the past month about the [Read More]

Insider

Archives