Claude Chabrol is one of my five favorite French directors. (The other four are Jean-Pierre Melville, Jean-Luc Godard, Francois Truffaut, and Francois Ozon.)
With a career spanning over 40 years, Chabrol gave us many fascinating films; some with thought-provoking innovations that reshaped my understanding of the 3-Act Structure.
Here I'd like to mention two of them that I especially like: the emergent antagonist, and multiple culprits.
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